A one-hour performance of everyday actions framed as music. An evening of performance pieces by composers from around the world, plus a new piece made by Second Company.
Please note: Second Company do not wish for any audience members to miss out on this show due to a lack of funds. If these prices are at all inaccessible to you, please email boxoffice@qtheatre.co.nz for more accessible prices.
Sit, Sit is a one-hour show of everyday actions framed as music. We have curated an evening of performances by composers from around the world, plus a new piece made by us, Second Company.
From the rhythmicised, highly tactile, gestural elements of Winnie Huang’s Tentacles, to James O’Callaghan’s ode to books, a "proposition" by Alison Knowles, and Marcus Jackson’s employment of the seemingly obnoxious referee’s whistle as an expression of detailed beauty and careful delicacy, Sit, Sit is a show that contemplates the banal and uncovers delight.
In our own work, co-created through casual and philosophical conversation, interrogatory devising methods, and rigorous, detailed composition, we involve speech/song, movement/dance, gesture/theatre as musical materiality, and explore concepts of distance and communication. Comprised of various attempts to bridge a distance, our efforts will be clear: between us is a horizon, and this is the music of that horizon.
We formed Second Company to provide a platform for post-instrumental music and composed theatre in Aotearoa, and hope you enjoy this first offering!
Performers: Second Company (Antonia Barnett-McIntosh & Elliot Vaughan) Stage manager: Kassandra Wang Featuring compositions by: Winnie Huang, Marcus Jackson, Alison Knowles, James O'Callaghan, and Second Company.
Thank you to Creative New Zealand for funding towards this tour.
Discover the artistry of Aotearoa’s rising choreographers and dancers. 11 original works by Year 3 Unitec Dance students — each piece a striking investigation of identity, intimacy, resistance, and rhythm.
By Paula Vogel.
The Milford Asset Management Season.
An absurd, funny, and unflinching exploration of family, identity, and the ties that both bind and break us – a modern American classic.
When Aotearoa’s finest creatives stand with rangatahi, stories come alive. In one week, they craft waiata, rap, dance, and movement. Honest, fearless, full of rangatahi energy. One stage.